Photo: Frank Stolle Differently coloured glass patterns in the workshop of the Mayer'schen Hofkunstanstalt in Munich. Photo: Frank Stolle The Mayer'sche Hofkunstanstalt in Munich has a comprehensive material warehouse at its disposal. Photo: Frank Stolle A designed stained glass church window in the Mayer'sche Hofkunstanstalt in Munich. His enthusiasm for glass and extraordinary art lies in his genes. Mayer was born in 1967 and is a trained mosaic maker. Photo: Frank Stolle A mosaic table in one of the rooms of the Mayer'sche Hofkunstanstalt in Munich. Photo: Frank Stolle A collection of antiquarian books in the Mayer'schen Hofkunstanstalt in Munich. Photo: Frank Stolle An inscribed glass in the Mayer'sche Hofkunstanstalt in Munich. Photo: Frank Stolle The employees of the Mayer'sche Hofkunstanstalt have sound knowledge in the restoration, restoration and reconstruction of glass paintings and mosaics. Photo: Frank Stolle Painted pieces of glass in the Mayer'sche Hofkunstanstalt in Munich. Photo: Frank Stolle A globe made of mosaic stones in the Mayer'sche Hofkunstanstalt in Munich. Photo: Frank Stolle The Mayer'sche Hofkunstanstalt in Munich has state-of-the-art facilities for glass and stone processing. Photo: Frank Stolle A selection of coloured glass panes at the Mayer'schen Hofkunstanstalt in Munich. Photo: Frank Stolle The workshop of the Mayer'sche Hofkunstanstalt is located in downtown Munich. Photo: Frank Stolle A sketch of Jesus on a sheet of paper at the Mayer'sche Hofkunstanstalt in Munich. But I think it highlights a great way to deal with this medieval heritage and especially its imperfections."Ī church window decorated with stained glass in the Mayer'sche Hofkunstanstalt in Munich. That was something of a puzzle for many decades. The remaining space was then filled with specially coated clear glass, with only the contours from the scenes traced in dark. The original, coloured fragments were then put together according to old photographs that, fortunately, were still in existence. They were rediscovered in the 1990s in a large box in the gallery. The glass windows virtually melted together, with only a few fragments remaining. However, the building was completely destroyed in an attack. The tragic thing about these windows is that the original late-Gothic specimens dating from the end of the 15th century - like so many found in Munich's churches - were removed in 1941 to protect them from the bombing raids during the Second World War. In artistic terms, it represents an interesting example of proper, up-to-date monument protection. The Gothic Church in the city's old town, situated near Odeonsplatz has been Greek Orthodox since 1829. Take a tour of the windows by clicking on the window images below to enlarge and scroll through for information about the stained glass windows on display."There's something missing," is perhaps a thought that crosses the observer's mind as they discover the four side windows of the Salvatorkirche for the first time: Only individual coloured sections decorate the windows otherwise sparsely decorated with black lines, while many areas have been left almost completely clear. Wailes is also responsible for the eye-catching window on the staircase at Conishead Priory. Leading manufacturers were employed, including Heaton, Butler and Bayne of Covent Gardens, Abbotts Co of Lancaster, Powell and Co of Whitefriars, London and Wailes of Newcastle. In 1866 Ulverston Parish Church underwent a major restoration, to the value of some £10,000, the equivalent of over one million pounds today! Ulverston had become a prosperous market town exporting local iron ore and the wealth of the area is reflected in the fine collection of stained glass windows in the church. The beautiful stained glass windows in the church contain hidden stories of the people who have been part of this community, as well as illustrating themes or characters from God’s own story, the Bible, all commissioned and installed ‘to the glory of God’ As you walk around, you will see how much the people and traditions of the past have helped to make the building that we see today. The present church building is a result of five alterations and restorations only the west wall and the bell tower remain from 1542. The 1542 replacement tower and church were rebuilt using stone from both the Furness Abbey ruins and Conishead Priory. The Church was restored in the reign of Henry VIII and the building evidences this when a gale destroyed the tower and crushed the church. Tradition has always maintained that the Norman entry dates from 1111 as the foundation (or founding) of St Mary’s Church. LIGHTS AND LIVES Discover the history and the symbolism emblazoned in our stained glass windows.
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